On death and life; surrender and buoyancy; hope, memory, dream and words

I thought I would add some reflections on yesterday’s quotes from John O’Donohue’s poems.

As air intensifies the hunger of fire,
May the thought of death
Breathe new urgency
Into our love of life.

Death can be all pervasive at times, occurring in a variety of ways and reducing us to a shadow of our true selves, lessening, diminishing, stifling life. Against all this,  O’Donohue sets his evocation of our love of life, and he’s right, I think, about the urgency of this. Death is inevitable, but we need to be careful not to think and live ourselves into an ever darker place.

O’Donohue’s second poem talks about a surrendered life, a continuous belief ‘in the slow fall of ground’, an elegant swirling through all the unlikenesses we face on our pilgrimage. These are powerful metaphors. May we learn to be like that river he talks about. And may we acquire not only the humility of water, allowing ourselves to be shaped by things beyond our control, but also its buoyancy, which, as he puts it so well, is ‘stronger than the deadening, downward drag of gravity’.

In the third poem, ‘In Praise of Earth’, O’Donohue speaks of ‘an endless coma of cold’, which is a truly chilling metaphor. Life can feel like that at times, when all warmth appears to have evaporated. May we be like the earth, holding hope, storing fragments of the memory of warmer times, and may we see and feel the sun returning one day. May our cells, too, as O’Donohue says in the following lines, become ‘charged with dream’.

For me, these are deeply resonant, life-giving words. As the Gospel of John says, in the beginning was the Word. Where words dry out, life surrenders to death.

Love of life, heart and being, the downward drag of gravity, hope during an endless coma of cold, cells charged with dream – the beauty of John O’Donohue’s poetry

Another book that I find truly inspiring and refreshing is John O’Donohue’s The Four Elements. Here are some extracts from three of his poems quoted by his brother Pat in the foreword.

From ‘In Praise of Fire’

As air intensifies the hunger of fire,
May the thought of death
Breathe new urgency
Into our love of life.

As short as the time
From spark to flame,
So brief may the distance be
Between heart and being.

May we discover
Beneath our fear
Embers of anger
To kindle justice.

From ‘In Praise of Water’

The courage of a river to continue belief
In the slow fall of ground,
Always falling further
Towards the unseen ocean.


Its only life surrendered
To the event of pilgrimage

It continues to swirl
Through all unlikeness,
With elegance

Let us bless the humility of water,
Always willing to take the shape
Of whatever otherness holds it.

The buoyancy of water,
Stronger than the deadening,
Downward drag of gravity

From ‘In Praise of Earth’

When the ages of ice came
And sealed the earth inside
An endless coma of cold,
The heart of the earth held hope,
Storing fragments of memory,
Ready for the return of the sun.

Until its black infinity of cells
Becomes charged with dream,
Then the silent, slow nurture
Of the seed’s self, coaxing it
To trust the act of death.

Let us ask forgiveness of the earth
For all our sins against her:
For our violence and poisonings
Of her beauty.

A proof of love

Julian Barnes’s latest book, Levels of Life, offers some intriguing observations about the beginnings of ballooning and photography. But that shouldn’t fool anyone: the book is essentially about grief, Barnes’s grief for his wife Pat, who died in 2008. Two passages struck me particularly.

In one, Barnes describes his experience in terms of a seventeenth-century map, which features ‘the Desert of Loss, the (windless) Lake of Indifference, the (dried-up) River of Desolation, the Bog of Self-Pity, and the (subterranean) Caverns of Memory’.

The other passage talks about the persistence of pain. Barnes comments: ‘Pain shows that you have not forgotten; pain enhances the flavour of memory; pain is a proof of love’.

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