Homelessness as ethical and aesthetic normativity

Being at home means belonging, but it also means constructing borders and excluding the other. Any kind of group identification constructs the social category of the other. Homes are primarily sites of exclusion, not inclusion. The notion of the home nourishes racism and xenophobia. The German Jewish philosopher Theodor Adorno, himself exiled by the Nazis, believed that ‘it is part of morality not to be at home in one’s home’ ….

It is only in homelessness that genuine hospitality becomes possible. Homelessness means not recognizing anywhere as home. […] Homelessness as a paradigm, as a way of being in the world, as a lifestyle, as ethical and aesthetic normativity opens the door to accepting the other as she is, not as we want her to be.

Shahram Khosravi, ‘Illegal Traveller’: An Auto-Ethnography of Borders; the reference is to the German Jewish philosopher Theodor Adorno’s work Minima Moralia.

These are radical words by someone who has himself experienced what it means to be homeless. Is Khosravi right that genuine hospitality is possible only in homelessness? It would be all too easy to take issue with this, arguing that it goes several steps too far.

However, looking at it from a Christian perspective, one is reminded of Paul’s words to the Philippians, who are told that ‘our citizenship is in heaven’ (Philippians 3:20). The letter of 1 Peter, in turn, is addressed ‘to God’s chosen strangers in the world of the diaspora’ (1 Peter 1:1), who are described as ‘immigrants and strangers in the world’ (2:11). Homelessness, indeed, was the chosen state of the one whom Christians profess to follow and who once said of himself that he had ‘no place to lay his head’ (Luke 9:58).

Khosravi’s are radical words indeed, but they need to be taken with utmost seriousness if we are concerned about genuine hospitality and accepting the ‘other’ as they are.

The great falsity of colonisation, the art of letting go – and some other thoughts from John O’Donohue’s ‘The Four Elements’

John O’Donohue is one of the most evocative writers I know. His books, his thoughts, his phraseology are like beautiful cathedrals to me, beautiful cathedrals made of words. Here are some passages from ‘Air: The Breath of God’, the first essay of The Four Elements.

John O'Donohue, The Four ElementsMost of the brutalization that occurs externally in the world is usually subsequent to a prior brutalization that has happened within the heart.

On fundamentalism:

One of the terrible deficiencies of most fundamentalism is that the … flow and risk of life get totally managed and programmed into categories.

Talking about Jesus, O’Donohue points out that ‘any place he appeared, his presence became a challenge’. A challenge, one might add, that is as unwelcome in institutionalised religion (the Church) today as it was at the time, a challenge we so often are quick to tame, contain or ignore.

I love these observations on territorial and spiritual colonisation:

We believe that salvation can only come from outside. This is the great falsity of colonization, be it territorial or spiritual. It robs the native land, or the native soul, of the sense of its own indigenous treasures and resources. Against all attempts at programmes and methods, the great art of holiness is to let oneself be.

And here is what O’Donohue has to say about religion vis-à-vis the truly inspired, the eternal:

Something inspired has the surprise, vitality and warmth of the eternal within it. … There is none of the deadness, seriousness or narrowness which affects so much religion and which has nothing to do with the eternal, but everything to do with the fears and competitiveness of the ego.

Finally, some words about loss, the art of letting go and receiving back a hundredfold:

We need to learn to be creative about loss …. The art at the heart of the mystical is letting go. If you learn to develop this art, you will receive back again a hundredfold everything you released. If you love something, let it go, and it will return to you. … This is the free art of presence in love and friendship. The Kingdom of God is about the transfiguration of Nothingness and loss into the fecundity of possibility.

The ‘fecundity of possibility’ – something to hope for and trust in, I suppose.

A profoundly disruptive prophetic ‘presence-in-the-world’

In a world where the Church no longer dominates Western culture and where ‘strong’ dogmatic statements are no longer heeded, the Christian is left to bear witness by faithfully following the way of Jesus as a prophetic ‘presence-in-the-world.’ … the story of Christ … is enacted rather than dogmatically stated and yet, in its ‘performance,’ is profoundly disruptive.

Thus Philip Sheldrake in Explorations in Spirituality: History, Theology, and Social Practice, summarising some thoughts of Michel de Certeau.

Not sure the Church has fully grasped this, but it seems to me what being a disciple entails.

To see through every regime

To be a follower of Jesus … means … to see through every regime that promises peace through violence, peace through domination, peace through genocide, peace through exclusion and intimidation. Following Jesus … means forming communion that seeks peace through justice, generosity, and mutual concern, a willingness to suffer persecution but a refusal to inflict it on others.

Brian D. McLaren, Everything Must Change: Jesus, Global Crises, and a Revolution of Hope

Homeless Jesus

I came across this amazing sculpture entitled Homeless Jesus in the April issue of Third Way.

Homeless Jesus

Apparently, it has been installed with a plague featuring words from Matthew 25:40:

Truly, I say to you, as you did it to one of the least of these my brothers, you did it to me.

What this picture doesn’t show is that the artist Timothy Schmalz (shown below) left room for one person to sit next to Homeless Jesus.

Homeless Jesus with artist

I have since discovered the following pictures of the sculpture in the rain and snow, which make it even more poignant.

It appears that the sculpture had to be moved from its original location because of objections by residents. One such objection is quoted in Third Way:

My complaint is not about the art-worthiness or the meaning behind the sculpture. It is about people driving into our beautiful, reasonably upscale neighborhood and seeing an ugly homeless person sleeping on a park bench.

Hmm, there’s a lesson in there somewhere …

Members of any race, nation, gender or social condition

Commenting on Isaiah 56:3-8, which talks about the inclusion of foreigners and eunuchs among God’s people, foreigners and eunuchs, that is, who keep the Sabbath and the covenant, Walter Brueggemann notes that:

the community welcomes members of any race or nation, any gender or social condition, so long as that person is defined by justice, mercy, and compassion, and not competition, achievement, production, or acquisition. (Sabbath as Resistance: Saying No to a Culture of Now)

Quite so! Brueggemann is also right, it seems to me, to suggest that this ‘stance of generous inclusiveness’ is a direct contradiction of the Mosaic rules in Deuteronomy 23:1-8. Isaiah’s words are an example of prophetic critique of Israel’s ancient traditions, the kind of critique that Jesus was to continue some centuries later.